DAY ONE
WORKING FROM STILL LIFE
The day will begin with a brief talk and demonstration drawing along with in depth discussion around how to set up your still life and Judy's process around this. This will be about fine tuning your powers of observation. We will look at how different ways of lighting can create a sense of drama to the work. If you are a beginner you can work in charcoal and if you are experienced in pastel you can work in colour.
DAY TWO
WORKING IN CHARCOAL WITH A LIFE MODEL
Day two is around Judy's process on portraiture. You will work in charcoal to evaluate tone and values. We will also see the exciting effect using a kneadable Rubber can have when used to create variations in the tones and the especially the charcoal surface. Although aiming for a likeness, the exercise will be more about creating a work which shows emotion and drama.
DAY THREE
WORKING IN COLOUR/PASTEL WITH A LIFE MODEL
If you don't have experience with pastel or pastel materials, you can stick to charcoal.
The day will begin with a brief talk and demonstration of using pastel on black paper. Again we will be fine tuning our powers of observation and will look at the influence of Japanese art on The Post Impressionists. Their observations on how flattened areas of colour, elimination of shadows and an emphasis on colour and light can create works which were refreshing and vibrant.
Please note that this is not a beginners workshop. We recommend that you attend if you have had some experience with drawing prior. It is perfect for those of you who have not had the chance to work from life before and for those with some drawing experience wanting to extend their portraiture skills and/or pastel skills.
MATERIALS
Easels and boards are provided at the venue.
- A few sheets of cartridge paper
- Compressed Charcoal
- Kneadable Eraser
- Firm Rubber
- 2 or 3 Sheets of Black Mi-Teints pastel paper (sanded type)
- A small range of flesh-toned hard conte pastels including black and white. Recommended brands: Jack Richeson, Alpha Fine Texture Brands or Conte a Paris in the following colours:
1. Flesh
2. Light Orange
3. Madder
4. Raw Umber
5. Black
6. White - A range of soft coloured pastels (Schminke brand is Judy's preference)
- A hand held mirror
- Fixative
- Torchon (blending stick/burnisher)
We encourage students to bring along a range of still life objects and material suitable for still life work. You will have the opportunity to set up your own still life arrangement.
LOCATION
Enclave - 12 Main Street Winnaleah, Tasmania
ACCOMMODATION PACKAGE
You can choose to stay on site at Enclave (where Judy will also be staying) in one of our luxury rooms for $200 a night (including breakfast). Rooms 1-5 have a King bed and detached ensuite (across the hall), these rooms are located on the ground floor.
Room 7 has 2 x double beds for sharing and ensuite, Rooms 8 & 9 have queen beds with ensuites (room 9 is a detached ensuite), Room 10 has a king bed and ensuite. Rooms 7-10 are all located up a single set of stairs on our top floor.
All rooms enjoy luxury linens and a plush mattress topper.
To book a room, just add a note at the checkout when you book in (see meal options below)
TRANSFERS
If you need transfers to and from the Launceston Airport, we pick up at 3:45pm on Saturday 20 July and return Wednesday 24 July by 10am. The cost is $150 for return trip.
LUNCH/DINNER
You can add on lunches at $20pp and a group dinner/dessert combo for $45pp - we cater to all diet requests.
BOOKING CONDITIONS
Please note that Artable does not provide refunds for workshops under any circumstances. If you provide more than 7 days notice, you can apply for a credit to another workshop. Check our refunds page for further details and COVID-19 related policies.
Please note that if a workshop is sold out a sold out sign will appear on the listing and you will be unable to book in. If a workshop does not have the number or spots that you require, a note will pop up saying 'out of stock'.
PARKING
Street parking is available.
Location:
Enclave, 12 Main Street, Winnaleah TAS 7265
Book online
Meet the Teach
Judy Drew
Australian painter Judy Drew was born in 1951. Her passion for the Post-Impressionism period and the influence of Japanese art in the late 1880’s, along with her creative sense of colour and form, allow Judy to create beautiful and modern work, even though Judy’s work is contemporary she retains a touch of sentiment in all her pieces. Her rich and textured pastels convey her emotion and love for this medium creating refreshing and strong compositional work, which is sensitive to the subject matter. Judy’s love for figurative work and her sensitive portraits of the Bougainville people gained local and international attention whilst living and working on Bougainville Island in papua New Guinea from 1976-1984. After living in Papua New Guinea, Judy returned to Melbourne and continued to concentrate on her figurative work and still life compositions. She studied Graphic Art at Prahran College of Art in Melbourne and has been recognized with numerous Awards including the Omega Contemporary Art Prize and the Portrait Prize, Melbourne Savage Club. With sell-out exhibitions, Judy’s reputation continues to soar as one of Australia’s most talented and exciting female artists.
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